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| Books |
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Anthony, Wayne. 1998. Class of 88: The True Acid House Experience. London: Virgin.
Anthony, Wayne. 1999. Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin.
Ayers, Michael D. 2006. Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang.
Bahr, Xenia and Oliver Rossdeutscher. 1995. No Rites: Techno-House in Hamburg. Hamburg: Kellner.
Barr, Tim. 2000. Techno: The Rough Guide. London: Rough Guide Ltd.
Beeler, Stanley. 2007. Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co.
Belle-Fortune, Brian. 2004. All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision.
Bennett, Andy, Barry Shank and Jason Toynbee. 2006. Popular Music Studies Reader. New York: Routledge.
Bidder, Sean. 1999. The Rough Guide to House. London: Rough Guides Ltd.
Bidder, Sean. 2001. Pump Up The Volume: A History of House. London: Channel 4 Books.
Brewtser, Bill & Frank Broughton. 1999. Last Night a DJ Saved My Life. New York: Grove Press.
Bull, Michale, Les Back. 2003. The Auditory Culuture Reader (Sensory Formation). Oxford: Berg.
Bussman, Jane. 1998. Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin.
Butler, Mark J. 2006. Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press.
Chang, Jeff. 2005. Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador.
Collin, Matthew. 1997. Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail.
Colombié, Thierry, Nacer Lalam and Michel Schiray. 2000. Drogue et techno: les trafiquants de rave. Paris: Stock.
Courtney, Dave. 2000. Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin.
D'Andrea, Anthony. 2007. Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge.
De Haro, Sarah and Wilfrid Estéve. 2002. 3672: La Free Story. Paris: Trouble-Fête.
de Jong, Alex, Marc Shuilenberg. 2006. Mediapolis: Popular Culture and the City. Rotterdam: 010 Publishers.
Eshun, Kodwo. 1998. More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books.
Fikentscher, Kai. 2000. "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press.
Fritz, Jimi. 1999. Rave Culture: An Insider's Overview. Canada: Smallfry Press.
Gaillot, Michel. 1998. Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir.
Garratt, Sheryl. 1998. Adventures in Wonderland: A Decade of Club Culture. London: Headline.
Gilbert, Jeremy and Ewan Pearson. 1999. Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge.
Green, Jared. 2005. DJ, Dance and Rave Culture. Detroit: Greenhaven Press.
Grynszpan, Emmanuel. 1999. Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun.
Hebdige, Dick. 1987. Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen.
Hitzler, Ronald and Michaela Pfadenhauer. 2001. Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich.
Hope, Donna P. 2006. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press.
Hutnyk, John. 2000. Critique of Exotica: music, politics and the culture industry. London: Pluto Press.
Hutton, Fiona. 2006. Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate.
Jackson, Phil. 2004. Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg.
Jagodzinski, Jan. 2005. Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan.
James, Martin. 1997. State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan.
James, Martin. 1998. Prodigy: Adventures with the Voodoo Crew. London: Ebury Press.
James, Martin. 2001. Moby: Replay - His Life and Times. London: Independent Music Press.
James, Martin. 2002. Fatboy Slim: Funk Soul Brother. London: Sanctuary.
James, Martin. 2002. Prodigy. London: Sanctuary.
James, Martin. 2003. French Connections - From Discotheque to Discovery. London: Sanctuary.
Kemper, Christian. 2004. Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang.
Knowles, Cynthia. 2001. Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press.
Lawrence, Pete and Vicki Howard (eds). 2004. Crossfade: A Big Chill Anthology. London: Serpent’s Tail.
Lawrence, Tim. 2003. Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press.
Lysloff, René T.A. and Leslie C. Gay, editors. 2003. Music and Technoculture. Middletown: Wesleyan University Press.
Madrid, Alejandro L. 2008. Nor-tec Rifa! Electronic Dance Music from Tijuana to the World. New York: Oxford University Press. [view online]
Malbon, Ben. 1999. Clubbing: dancing, ecstasy and vitality. London: Routledge.
Mellonee V. Burnim and Portia K. Maultsby. 2006. African American Music: An Introduction. New York: Routledge.
Pinch, Trevor, Frank Trocco. 2002. Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press.
Pini, Maria. 2001. Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave.
Prendergast, Mark. 2000. The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury.
Push & Mireille Silcott. 2000. The book of E: All About Ecstasy. London: Omnibus.
Queudrus, Sandy. 2000. Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions.
Racine, Étienne. 2002. Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago.
Redhead, Steve. 1993. Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot.
Redhead, Steve (ed.). 1997. The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell.
Reynolds, Simon. 1998. Generation Ecstasy: Into the World of Techno and Rave Culture. Boston: Little, Brown and Company.
Rietveld, Hillegonda C. 1998. This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate.
Saunders, Nicholas. 1993. E for Ecstasy. London: Nicholas Saunders. [view online]
Saunders, Nicholas and Rick Doblin. 1996. Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company.
Shapiro, Peter. 1999. Drum'n'bass: The Rough Guide. London: Rough Guide Ltd.
Shapiro, Peter ed. 2000. Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc.
Sicko, Dan. 1999. Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books.
Silcott, Mireille. 1999. Rave America: New school dancescapes. Quebec: ECW Press.
Snoman, Rick. 2004. The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press.
St John, Graham (ed). 2001. FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground. [view online]
St John, Graham (ed). 2004. Rave Culture and Religion. New York: Routledge.
Sterneck, Wolfgang. 2005. Tandzende Sterne: Party, Tribes und Widerstand. Frankfurt-main: Nacthtschatten and KomstA.
Stolzoff, Norman. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. London: Duke University Press.
Stone, C. J. 1996. Fierce Dancing: Adventures in the Underground. London: Faber and Faber.
Sylvan, Robin. 2005. Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York: Routledge.
Sylvan, Robin Daniel. 2002. Traces of the spirit: The religious dimensions of popular music. New York: New York University Press.
Taylor, Timothy D. 2001. Strange Sounds: Music, Technology & Culture. New York: Routledge.
Thornton, Sarah. 1996. Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University Press.
Toop, David. 1995. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail.
Toop, David. 2004. Haunted Weather: Music, Silence, and Memory. London: Serpents Tail.
Twist, Cinnamon (ed.). 1999. Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal Donut.
Vaudrin, Marie-Claude. 2004. La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Paris: Harmattan.
Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press.
Wilder, Eliot. 2005. Endtroducing. London: Continuum Books.
Wilson, Brian. 2006. Fight, Flight Or Chill: Subcultures, Youth, And Rave In The Twenty-first Century. Kingston, Ontario: McGill-Queen's University Press.
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| Book chapters |
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Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152.
Bates, Eliot. 2004. "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge.
Bennett, Andy. 2000. "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102.
Birgy, Phillipe. 2003. "French Electronic Music: The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242.
Butler, Mark J. 2005. "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18.
Carrington, Ben and Brian Wilson. 2004. "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78.
Chan, Seb. 1999. "Bubbling Acid: Sydney’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73.
D'Andrea, Anthony. 2003. "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255.
Davis, Erik. 2004. "Hedonic Tantra: Golden Goa’s Trance Transmission." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272.
Dyer, Richard. 1990. "In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418.
Fikentscher, Kai. 2003. ""There's not a problem I can't fix, 'cause I can do it in the mix": On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315.
Fikentscher, Kai. 2006. "Disco and House." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 456-470.
Gauthier, François. 2004. "Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84.
Gerard, Morgan. 2004. "Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184.
Gibson, Chris. 2001. "Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 237-255.
Gore, G. 1997. "Trance, dance and Tribalism in Rave Culture." In Dance in the City, edited by Thomas, Helen. London: MacMillan, 73-83.
Grayson, Kyle. 2008. "The (Geo)Politics of Dancing: Illicit Drugs and Canadian Rave." In Chasing Dragons: Security, Identity, and Illicit Drugs in Canada, edited by Kyle Grayson. Toronto: University of Toronto Press.
Hesmondhalgh, David, and Caspar Melville. 2001. "Urban Breakbeat Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press.
Hill, Desmond. 1999. "Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106.
Hitzler, Ronald & Pfadenhauer, Michaela. 2002. "Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek:: Alta Mira, 87-101.
Huq, Rupa. 1999. "The Right to Rave: Opposition to the Criminal Justice and Public Order Act 1994." In Storming the Millennium: The New Politics of Change, edited by Tim Jordan. London: Lawrence and Wishart, 15-33.
Lasén, Amparo. 2004. "El baile de las mákinas." In Musiques, arts et technologies, edited by Roberto Barbanti, Enrique Lynch, Carmen Pardo, and Makis Solomos. Paris: L'Harmattan, 303-315.
Malbon , Ben. 1998. "Clubbing: Consumption, Identity and the Spatial Practices of Every-Night Life." In Cool Places: Geographies of Youth Cultures, edited by Skelton, T and Valentine, G. London: Routledge, 266-286.
May, Beverly. 2006. "Techno." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 313-352.
McRobbie, Angela. 1994. "Shut up and Dance: Youth Culture and Changing Modes of Femininity." In Postmodernism and Popular Culture, edited by McRobbie, Angela. London; New York: Routledge.
Melechi, Antonio. 1993. "The Ecstasy of Disappearance." In Rave Off: Politics and Deviance in Contemporary Youth Culture, edited by Redhead, Steve. Avebury: Aldershot, 29-40.
Murray, Enda. 2001. "Sound Systems and Australian DiY Culture: Folk Music for the Dot Com Generation." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 57-70.
Pini, Maria. 1997. "Cyborgs, Nomads and the Raving Feminine." In Dance in the City, edited by Thomas, H. London: Macmillan, 111-129.
Pini, Maria. 1998. "‘Peak Practices’: The Production and Regulation of Ecstatic Bodies." In The Virtual Embodied: Presence/Practice/Technology, edited by John Wood. London: Routledge, 168-177.
Portnoy, Sean. 1999. "This is Fascism? Raves and the Politics of Dancing." In Reading Rock and Roll: Authenticity, Appropriation, Aesthetics, edited by Kevin Dettmar and William Richey. New York: Columbia University Press, 191-208.
Reynolds, Simon. 1997. "Rave Culture: Living Dream or Living Death?." In The Clubcultures Reader: Readings in Popular Cultural Studies, edited by Redhead, Steve. Oxford: Blackwell, 102-111.
Reynolds, Simon. 1997. "Return to Eden: Innocence, Indolence and Pastoralism in Psychedelic Music, 1966-1996." In Psychedelica Britannica: Hallucinogenic Drugs in Britain, edited by Antonio Melechi. London: Turnaround, 143-165.
Rietveld, Hillegonda. 1998. " Repetitive Beats: Free Parties and the Politics of Contemporary DiY Dance Culture in Britain." In DiY Culture: Party and Protest in Nineties Britain, edited by George McKay. London: Verso, 243-268.
Rietveld, Hillegonda C. 1998. "The House Sound of Chicago." In The Clubcultures Reader, edited by S. Redhead. Oxford: Blackwell.
Ross, Andrew. 2003. "Back to basics with the Roland 303." In Music and technoculture, edited by Lysloff, René and Leslie Gay. Middletown: Wesleyan University Press.
Spring, Ken. 2004. "Behind the Rave: Structure and Agency in a Rave Scene." In Music Scenes: Local, Translocal and Virtual, edited by Andy Bennett and Richard A. Peterson. Nashville, TN: Vanderbilt University Press, 48-63.
St John, Graham. 2003. "Post-Rave Technotribalism and the Carnival of Protest." In The Post-Subcultures Reader, edited by Muggleton, David and Weinzierl, Rupert. London: Berg, 65-82.
Thornton, Sarah. 1994. "Moral Panic, the Media, and British Rave Culture." In Microphone Fiends: Youth Music & Youth Culture, edited by A. Ross and T. Rose. New York: Routledge, 176-192.
Ueno, Toshiya. 2003. "Unlearning to Raver: Techno-Party as Contact Zone in Trans-Local Formations." In The Post-Subcultures Reader, edited by David Muggleton and Rupert Weinzierl. Oxford: Berg, 101-117.
van Veen, tobias c. 2004. "The Reverb Engine." In Unsorted: An A to Z for Sonic Acts X, edited by Arie Altena. Amsterdam: Sonic Acts / de Balie Press, 104-110. [view online]
Whelan, Andrew. 2006. "Do U Produce?: Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks." In Cybersounds: Essays on Virtual Music Culture, edited by Ayers, Michael. New York: Peter Lang, 57-81.
Wright, M. A. 1998. "The Great British Ecstasy Revolution." In DIY Culture: Party and Protest in Nineties Britain, edited by McKay, George. London: Verso, 228-242.
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| Journal articles |
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Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114.
Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152.
Amico, Stephen. 2001. "'I Want Muscles': House music, homosexuality and masculine signification." Popular Music 20(3), 359-378.
Ashline, William. 2002. "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104.
Baumann, Gerd. 1990. "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98.
Bennett, Andy. 1999. "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617.
Bradby, B. 1993. "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176.
Butler, Mark J. 2001. "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music." Music Theory Online 7(6), n/a. [view online]
Cascone, Kim. 2000. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music." Computer Music Journal 24(4), 12-18. [view online]
Cascone, Kim. 2002. "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. [view online]
Cascone, Kim. 2004. "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. [view online]
Chapman, Dale. 2003. "The Hermeneutics of Suspicion." Echo: A Music-Centered Journal V(2), . [view online]
Chapman, Dale. 2003. "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . [view online]
Cole, David R. 2007. "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. [view online]
Cole, Fred and Hannan, Michael. 1997. "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??.
Collins, Karen. 2005. "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial music." Popular Music 24(2), 165-178.
Farrugia, Rebekah, Thomas Swiss. 2005. "Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies." Journal of Popular Music Studies 17(1), 30-44.
Gauthier, François. 2005. "Orpheus and the Underground: Raves and Implicit Religion—From Interpretation to Critique." Implicit Religion 8(3), 217-265.
Gilbert, Jeremy. 1997. "Soundtrack to an Uncivil Society: Rave Culture, The Criminal Justice Act and the Politics of Modernity." New Formations 31, 5-24.
Goulding, Christina, Avi Shankar and Richard Elliott. 2002. "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities." Consumption Markets & Culture 5(2), 261-284.
Greener, Tracey, Robert Hollands. 2006. "Beyond Subculture and Post-subculture? The Case of Virtual Psytrance." Journal of Youth Studies 9(4), 393-418.
Halfacree, Keith and Rob Kitchin. 1996. "‘Madchester Rave on’: Placing the Fragments of Popular Music." Arena 28(1), 47-55.
Harrison, Anthony Kwame. 2006. "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25(2), 283-301.
Hecker, Tim. 2002. "Sound and the 'Victorious Realm of Electricity'." Parachute 107, 60-68. [view online]
Hemment, D. 1996. "E is for Ekstasis." New Formations 31, 23-38.
Hesmondhalgh, David. 1997. "The Cultural Politics of Dance Music." Soundings 5, 167-178.
Hesmondhalgh, David. 1998. "The British Dance Music Industry: A Case Study of Independent Cultural Production." British Journal of Sociology 49(2), 234-251.
Hesmondhalgh, David. 2006. "Digital Sampling and Cultural Inequality." Social Legal Studies 15(1), 53-75.
Hier, Sean. 2002. "Raves, Risks and the Ecstacy Panic: A Case Study in the Subversive Nature of Moral Regulation." Canadian Journal of Sociology 27(1), 33-57.
Hill, Andrew. 2002. "Acid House and Thatcherism: Noise, the Mob and the English Countryside." The British Journal of Sociology 53(1), 89-105.
Hill, Andrew. 2003. "Acid House and Thatcherism: Contesting Spaces in late 1980s Britain." Space and Polity 7(3), 219-232.
Hope, Donna P. 2004. "The British link-up crew." Interventions 6(1), 101-117.
Hutson, Scott. 1999. "Technoshamanism: spiritual healing in the rave subculture." Popular Music and Society 23(3), 53-77.
Jones, Simon. 1995. "Rocking the House: Sound System Cultures and the Politics of Space." Journal of Popular Music Studies 7, 1-24.
Jordan, Tim. 1996. "Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari." Body and Society 1(1`), 125-144.
Langlois, Tony. 1992. "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11(2), 229-238.
Lasén, Amparo and Martínez de Albeniz, Iñaki. 2001. "El tecno: variaciones sobre la globalización." Política y Sociedad 36, 129-149. [view online]
Lasén, Amparo. 1999. "Une filiation bâtarde (techno et musique contemporaine)." Cultures en mouvement 21, 49-52.
Lasén, Amparo. 2002. "“Notas de felicidad extrema. La experiencia musical dance/ Notes of extreme happiness. Dance music experience”." PAC (Pensament i Arts Contemporanis) 2(2), 47-61. [view online]
Loza, Susana. 2001. "Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music." Popular Music 20(3), 349-357. [view online]
Luckman, Susan. 2003. "Going Bush and Finding one’s “Tribe”: Raving, Escape and the Bush Doof." Continuum: Journal of Media and Cultural Studies 17(3), 315-330.
Lynch, Gordon and Emily Badger. 2006. "The Mainstream Post-Rave Club Scene as a Secondary Institution: A British Perspective." Culture and Religion 7(1), 27-40.
Madrid, Alejandro L. 2003. "Navigating Ideologies in ‘In-Between’ Cultures. Signifying Practices in Nor-tec Music." Latin American Music Review 24(23), 270-286.
Madrid, Alejandro L. 2005. "Imagining Modernity, Revising Tradition. Nor-tec Music in Tijuana and Other Borders." Popular Music and Society 28(5), 595-618. [view online]
Madrid, Alejandro L. 2006. "Dancing with Desire. Cultural Embodiment in Tijuana's Nor-tec Music and Dance." Popular Music 25(3), 383-399.
Manuel, Peter, and Wayne Marshall. 2006. "The riddim method: aesthetics, practice, and ownership in Jamaican dancehall." Popular Music 25(03), 447-470.
Marontate, Jan. 2005. "Digital recording and the reconfiguration of music as performance." American Behavioral Scientist 48(11), 1422-1438.
Marsh, Charity. 2006. "‘Understand Us Before You End Us’: Regulation, Governmentality, and the Confessional Practices of Raving Bodies." Popular Music 25/3, 415-430.
Martin, Daniel. 1999. "Power Play and Party Politics: The Significance of Raving." Journal of Popular Culture 32(4), 77-99. [view online]
McCutcheon, Mark A. 2007. "Techno, Frankenstein and Copyright." Popular Music 26(2), 259-280.
McLeod, Kembrew. 2001. "Genres, Subgenres, Sub-Subgenres and more: Musical and Social Difference Within Electronic Dance Music Communities." Journal of Popular Music Studies 13, 59-75.
Moore, David. 1995. "Raves and the Bohemian search for self and community: a contribution to the anthropology of public events." Anthropological Forum 7(2), 193-214.
Nehring, Neil. 2007. "'Everyone's Given Up and Just Wants to Go Dancing': From Punk to Rave in the Thatcher Era." Popular Music and Society 30(1), 1-18.
Noys, Benjamin. 1995. "Into the 'Jungle'." Popular Music 14(3), 321-332. [view online]
Ott, Bill & Brian Herman. 2003. "Mixed Messages: Resistance and Reappropriation in Rave Culture." Western Journal of Communication 67(3), 249-270.
Partridge, Christopher. 2006. "The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals and the Emergence of Rave Culture." Culture and Religion 7(1), 41-60. [view online]
Peterson, Richard A. 1978. ""'Disco!' Its Distinctive Sound Isn't Just Another Fad." Chronicle of Higher Education October 26-27, .
Richardson, John. 2005. "'The Digital Won't Let Me Go': Constructions of the Virtual and the Real in Gorillaz' 'Clint Eastwood'." Journal of Popular Music Studies 17(1), 1-29.
Rill, Brian. 2006. "Rave, Communitas, and Embodied Idealism." Music Therapy Today 7(3), 648-661. [view online]
Rodgers, Tara. 2003. "On the process and aesthetics of sampling in electronic music production." Organized Sound 8, 313-320. [view online]
Rodkey, Christopher. 1999. "The Existential Notion that "God is Dead" in Industrial Music." Exordium 8, 17-27.
Rodkey, Christopher. 2004. "Reconsidering Noise in Theology and in Praxis." Doxology 21, 72-91.
Saldanha, Arun. 2002. "Music Tourism and Factions of Bodies in Goa." Tourist Studies 1, 43-62.
Schütze, Bernard. 2001. "Carnivalesque Mutations in the Bahian Carnival and Rave Culture." Religiologiques 24, 155-163.
Smith, Jacob. 2004. "I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games." Journal of Popular Music Studies 16(1), 58-84.
Sommer, Sally. 2001. "C’mon to my House: Underground-House Dancing." Dance Research Journal 33(2), 72-86.
St John, Graham. 2001. "The Battle of the Bands: ConFest Musics and the Politics of Authenticity." Perfect Beat 5(2), 69-90.
St John, Graham. 2005. "Outback Vibes: Sound Systems on the Road to Legitimacy." Postcolonial Studies: Culture, Politics, Economy 8(3), 321-336.
St John, Graham. 2005. "Off Road Show: Techno, Protest and Feral Theatre." Continuum: Journal of Media and Cultural Studies 19(1), 7-22.
St John, Graham. 2006. "Electronic Dance Music Culture and Religion: An Overview." Culture and Religion 7(1), 1-26.
Stanley-Niaah, Sonjah. 2004. "Kingston's Dancehall: A Story of Space and Celebration." Space & Culture 7(1), 102-118.
Szepanksi, Achim. 2002. "Digital Music and Media Theory." Parachute 107, 24-27. [view online]
Takahashi, Melanie and Tim Olaveson. 2003. 2003. "Music, Dance and Raving Bodies: Raving as Spirituality in the Central Canadian Rave Scene." Journal of Ritual Studies 17(2), 72-96.
Till, Rupert. 2006. "The Nine O’Clock Service: Mixing Club Culture and Postmodern Christianity”." Culture and Religion 7(1), 93-110.
Tramacchi, Des. 2000. "Field tripping: psychedelic communitas and ritual in the Australian bush." Journal of Contemporary Religion 15(2), 201-213.
Turner, Tad. 2003. "The Resonance of the Cubicle: Laptop Performance in Post-digital Musics." Contemporary Music Review 22(4), 81-92.
van der Laan, J.M. 2007. "Is it Live, or is it Memorex?." Bulletin of Science Technology Society 27(2), 136-141. [view online]
van Veen, Tobias C. 2003. "It’s Not a Rave." Journal for the Arts, Sciences and Technology 1(2), 90-96.
van Veen, tobias c. 2003. "FUCK ART LET’S DANCE." FUSE 26(3), 12-19. [view online]
van Veen, tobias c. 2003. "It's Not A Rave, Officer [v 1.0]." FUSE 26(1), 30-39. [view online]
van Veen, tobias c. 2003. "It's Not A Rave, Officer [v 2.0]." Graduate Researcher: Journal for the Arts, Sciences and Technology 1(2), 90-96. [view online]
van Veen, tobias c. 2003. "Turn/Stile: Interpreting Udo Kasemets’ 'CaleNdarON'." Leonardo Music Journal 13, N/A. [view online]
van Veen, tobias c. 2003. "warehouse . space: rave culture, selling-out, and sonic revolution." Capital 1(1), 10-12. [view online]
van Veen, tobias c. 2005. "Sonic Warfare, Tactical SoundSystems and the Post-World of Grey Filastine." FUSE 28(4), 11-17. [view online]
van Veen, tobias c. 2006. "Rhythm Science, Part 1." ElectronicBookReview.com: Music Sound Noise 12-23-2006, N/A. [view online]
Velayutham, S and A. Wise. 2001. " Dancing with Ga(y)nesh: Rethinking Cultural Appropriation in Multicultural Australia." Postcolonial Studies 4(2), 143-160.
Williams, Gilbert. 1986. "The Black Disc Jockey as Cultural Hero." Popular Music and Society 10(3), 79-90.
Wilson, Brian. 2002. "The Canadian Rave Scene and Five Theses on Youth Resistance." Canadian Journal of Sociology 27(3), 373-412.
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| Theses and dissertations |
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Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online]
Avery, Anthony P. 2005. Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico.
Bates, Eliot. 1997. Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University. [view online]
Borthwick, Stuart. 1998. Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. [view online]
Butler, Mark J. 2003. Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University.
Chan, Sara Wei-Ming. 2003. Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University.
Farrugia, Rebekah L. 2004. Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa.
Goldschmitt, Kariann Elaine. 2004. Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego.
Hemmerling, Scott. 1999. Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans.
Hutton, Fiona. 2001. Making Out in the City: Negotiating the Feminine on Club Scenes in Manchester. Ph.D. Dissertation, Manchester Metropolitan University.
Kale, Stephanie. 2006. Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University.
Kau, Cheryleen. 2006. Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach.
Kavanaugh, Philip R. 2006. Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware.
Kelly, Robert Thomas. 2001. Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta.
Loza, Susana Ilma. 2004. Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley.
Luckman, Susan. 2002. Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland.
Luvaas, Brent Adam. 2004. Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles.
Marsh, Charity. 2005. Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada.
Miller, Graham. 2005. The sound of the Third Wave: Science fiction, imaginary machines and the future of Techno. M.A. Thesis (Music), York University.
Rodkey, Christopher. 2002. Form, Fragmentation, and Theonomy: Noise as an Expression of Reality. M.A. Thesis (The Divinity School), University of Chicago.
Schmidt, Joshua. 2006. Fused by Paradox: The Challenge of Being an Israeli Psy-trancer. M.A. Thesis, Ben-Gurion University of the Negev. [view online]
Sellin, Yara. 1999. San Francisco style rave music performance practice and analysis. M.S. Thesis, University of California, Santa Cruz.
Sellin, Yara. 2005. DJ: Performer, Cyborg, Dominatrix. Ph.D. Dissertation (Musicology), University of California, Los Angeles.
Sliavaite, Kristina. 1998. When Global Becomes Local: Rave Culture in Lithuania. M.A. Thesis (Department of Social Anthropology), Lund University. [view online]
Sylvan, Robin Daniel. 1998. Traces of the spirit: The religious dimensions of popular music. Ph.D. Dissertation (Religious Studies), University of California, Santa Barbara.
Vályi, Gábor. 2002. Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. Thesis (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London). [view online]
van Veen, tobias c. 2004. Reconstruction & Rhythm Science: networks and properties of remix culture. M.A. Thesis (Art History and Communication Studies), McGill University. [view online]
Vecchiola, Carla. 2006. Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan.
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| Conferences, lectures, and presentations |
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Carrie Gates, Sriram Subramanian, and Carl Gutwin. 2006. "DJs' Perspectives on Interaction and Awareness in Nightclubs." State College (Pennsylvania): Designing Interactive Systems Conference. [view online]
van Veen, tobias c. 2002. "Laptops & Loops: The Advent of New Forms of Experimentation and the Question of Technology in Experimental Music and Performance." Calgary: University Art Association of Canada (UAAC). [view online]
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